Caleb"s Door

Arthur Vincie, Writer/Director

Arthur has more than 10 years of film and television production experience, four of them as a line producer, producer, and director. He recently wrote and directed Calebís Door, an independent feature, and Weid, a short film.

He's also line produced or UPMed several feature films, including Windows, (2006 Tribeca Film Festival) and Rock the Paint, (2005 Tribeca Film Festival). Other line producer/UPM credits include Racing Daylight, a supernatural love story starring David Strathairn and Melissa Leo; Company K, a World War I film based on the Frederick March novel; The Reawakening, directed by Native American Diane Fraher (Osage), (2005 American Indian Film & Television Festival, 2005 American Indian Film Festival, 2004 Fort Lauderdale Film Festival); and The Empty Hands, an independent martial arts film.

Heís also line produced and produced second-unit shoots, industrials, music videos, and several short films, which have screened at various festivals (IFPís Buzz Cuts, Lake Placid, Woodstock, Palm Springs, New Orleans, Las Vegas, Georgetown, African American Women in Cinema).

Since 1996, Arthur has been a partner in ArtMar Productions, an independent production/education/consulting company. ArtMar offers script and budget consulting services, and produces screenwriting and filmmaking workshops.

Prior to line producing, Arthur worked on features, documentaries, and shorts, in just about every department, for ABC, NBC, the Shooting Gallery, Montage Entertainment, the Knitting Factory, and various independent production companies in the New York City area.

Arthur has written several spec science fiction scripts, including Alienhood (finalist, 2006 Shriekfest Sci-Fi/Horror Festival), Vision (semi-finalist, 2006 Fade In Screenwriting Competition), Chaos and Desire, (finalist, Writerís Place 2005 Screenplay Competition), and The Investigator (finalist, 2005 Shriekfest).Arthur has written articles on budgeting and post for Indie Slate and Student Filmmaker magazine, and has guest lectured at New York University and the School of Visual Arts. He holds a B.F.A. in Film and Television Production from New York University.

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